there’s no light on the answering machine—
i can’t believe it’s this late;
got dressed up in my Sunday best just to wait
and everytime someone walked in the lounge
at the time and place we’d agreed—
i never got to look at the book i pretended to read
i’m no good at this; take a look—i can’t read you like a book;
spell it out for me: make it clear
i understand that your no-show tonight
is no cause to be concerned,
but every time we get this close we get diminishing returns
so think of all the trains i’ll miss
while waiting for this one that took a detour or got derailed
it ain’t ever gonna come
i’m no good at this; take a look—i can’t read you like a book;
so it’s fun, fun, fun ‘til the cows come home
i’m confused beyond belief—
we’re having too much fun together to see the real underneath
it’s fun, fun, fun ‘til the cows come home
i’m confused beyond belief—
we’re having too much fun together to see the real underneath
you must know what you’re doing to me
you know i’ll keep hanging around;
i know there are other fish in the sea,
but throw me a rope or else i’m gonna drown
there’s one light on the answering machine—
i didn’t even hear the phone
my heart fell for the false alarm of a dial tone
i’ll leave that certain table for two with one empty chair
and one last time, look over my shoulder—
but of course, no one’s there
begins with themes for the Media and the White House, followed by thirteen tracks outlining major Watergate events, including themes for four major characters (Pat Nixon, Dean, Haig, Graham). May 2013 Patrick Foster
themes for twenty-four characters, from central figures (John Ehrlichman, John Mitchell, Bob Haldeman, etc.), to supporting roles like Rose Mary Woods, Archibald Cox, and Barbara Jordan. October 2013 Patrick Foster
themes for events before, during, and after Watergate. Ranges from Nixon's Whittier College days through his death, but primarily focus is from the 1968 election through Ford's swearing-in. April 2014 Patrick Foster
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The Cleveland band temper uncompromising metalcore breakdowns with infectious jangle-pop melodies and ample dark humor.
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